930 Forums
=> GENERAL DISCUSSION => Topic started by: Bags on May 10, 2004, 03:12:00 pm
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Listed in the subject line in the order I want to see them. Metric kicks it, and that's the only album I have of the lot.
So, can anyone tell me about Sea Ray?
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Originally posted by Macktastic Bag O' Flash:
Listed in the subject line in the order I want to see them. Metric kicks it, and that's the only album I have of the lot.
So, can anyone tell me about Sea Ray?
I may be outside flyering for the BY show, but just not sure I'll go in. A decent bill, i like Metric and The Stills, but I got too much going on this week.
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I'm out unfortunately. Late show no workie on a school night.
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Sea Ray is EXCELLENT. They played with The Church on the last tour. really mellow ensemble with a cello. I bought their last album and thought some songs were almost mellow Idle-wild-like. I am thinking of going just because of them, since I don't know the others.
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sea ray (http://www.searaymusic.com/)
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Thanks, Sam. If you click on the e-card, you can listen to the whole album and look at a lovely picure of an interactive iPod.
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I'd go for The Stills, although the entire album hasn't completely grown on me aside from the Still in Love Song. Metric sounds promising.
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I'm going for Metric because they were terrific last time. Sea Ray sounds intriguing. I will give them a listen.
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This has been discussed before on this board last time they were in town but I've always liked Sea Ray's songs "Hall Of Fame" and "Stray Dog's Got It Made". Some of their other songs require the right mellowish mood.
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Damn. Has this always been listed as a late show?
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Originally posted by kurosawa-b/w:
Damn. Has this always been listed as a late show?
Yes, it has. I sent it out to a friend when first announced who said "if doors are at 9:30, that's not a late show..." Well, with three bands it sure is.
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Set times just went up:
Late Doors 9:30
Sea Ray 9:45
Metric 10:30
The Stills 11:15
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i'm there. miss out a chance to see more pretty boys making pretty music? surely not.
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Damn, Metric just tears that shit up. Fantastic. The Stills were in deep shit having to follow that band....I have a story, I'll tell it tomorrow....
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Last night was toooo long. The Evens were awesome, very excited to see them again. Metric was good, except for that extended thing at the end. Does anyone have their albums? My guess is that their danceable goodness carries over pretty well. It was the second time i had seen them, and I think I like them more. And the annoying bassist finally cut his little tail.
The Stills were pretty good too, pretty much just played thier album note for note. I think they are a band I could really get to like, if i had the time. I'll just have to settle with 'kinda like.' And for those of you who care, flyering went relatively well too. My night was made when I heard one guy say he had been on the site yesterday. And Niall, he complimented 'us' on the Hersh interview. Perhaps he's a largehearted boy reader, eh?
Good to finally meet GGW and Skeeter, and to see all of you other lovely people again, even if it was exhausting.
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My night was made when I heard one guy say he had been on the site yesterday. And Niall, he complimented 'us' on the Hersh interview. Perhaps he's a largehearted boy reader, eh?
good to hear that - was there much of a spike yesterday because of the link?
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Yes, the night was too long, and I didn't even hit two different shows. The Stills went on at 12:15, and I had to bail about 12:30. I like them (though I don't have the album, not sure I need it), but Metric had taken it all out of me and the Stills dragged a bit in comparison. They sound like a lot of bands out now (as did Sea Ray), and I'm not sure I'd put them in the upper echelon -- perfectly fine band, though.
Here's my story -- so a friend of mine was in the men's room right after Metric and said to the guy next to him, "Man, what a show. I feel bad for the Stills to have to follow that up." The other guy says, "Yeah, but Emily seems to be getting awfully full of herself and is really overdoing it." Whatever. About 25 minutes later my friend discovers that the guy he was talking to was very likely the bassist for the Stills. Whoa boy!
PS, red, the Metric album is really good, though I think they surpass it with their live show absolutely...
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Originally posted by Macktastic Bag O' Flash:
Yes, the night was too long, and I didn't even hit two different shows. The Stills went on at 12:15, and I had to bail about 12:30. I like them (though I don't have the album, not sure I need it), but Metric had taken it all out of me and the Stills dragged a bit in comparison. They sound like a lot of bands out now (as did Sea Ray), and I'm not sure I'd put them in the upper echelon -- perfectly fine band, though.
Here's my story -- so a friend of mine was in the men's room right after Metric and said to the guy next to him, "Man, what a show. I feel bad for the Stills to have to follow that up." The other guy says, "Yeah, but Emily seems to be getting awfully full of herself and is really overdoing it." Whatever. About 25 minutes later my friend discovers that the guy he was talking to was very likely the bassist for the Stills. Whoa boy!
Well, that extended ending was a bit much. Having seen her twice, she clearly is getting more dramatic. I imagine seeing her on a regular basis could easily get old quickly... not the music, just her 'things.'
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Sea Ray were okay. Reminded me a bit of the Stratford 4.
Metric were really excellent, as everyone has pointed out.
The Stills were plastic. "Hey DC!!" How's it going DC!" "It's great to be in DC!" "This is the first time we've played DC"
I wonder if anybody reminded him that they were here a few months ago with Ryan Adams.
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Originally posted by ggwâ?¢:
The Stills were plastic. "Hey DC!!" How's it going DC!" "It's great to be in DC!" "This is the first time we've played DC"
They also threw in the requisite cursing, which sounded so completely canned: "Hey DC, how are you fucking doing?"
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i worked this show and was fortunate enough to be able to see everything, which is rare. it also helped that everyone was well-behaved and respectful, which makes my job a whole lot easier.
i have to admit, i definitely liked sea ray the most last night. the guitar-vocals/bass/cello/keys/drums line-up really nailed the sound they were going for. though not terribly original, they reminded me of a more rocking magnetic fields circa 1994 (when they had a cellist) or a better matt pond pa. the stratford 4 is a good comparison, with the latter being more stripped-down. the video projections were a nice touch. overall, a very pleasant half-hour set offered by folks that obviously grew up worshipping 4AD, echo and the bunnymen, slowdive, galaxie 500, and mercury rev.
metric did not impress me nowhere near as much as everyone else here. i thought they were good, but nothing special. emily haines' vocals were alternately inspired and tired. the musicianship was competent but left me wanting more. i thought her synth playing was a strong point, actually, and i was pleased to see a vintage sequential circuits being taken off stage. i couldn't tell if they were going for an angular post-punk thing or a retro new-wave thing. not bad, but i'll take the yeah yeah yeahs and clinic over them.
i was really into the stills' set for the first 20 minutes or so, but their songs rarely differed. fortunately, they played for about 50 minutes, so it didn't get too old. they remind me of interpol with less calculation and more sincerity. more echo and kitchens of distinction than joy division, which is what every critic predictably, and erroneously, drops. overall, a solid-sounding set with well-written, if slightly pedestrian, songs.
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Originally posted by snailhook:
i worked this show
That's funny -- redsock and I were wondering if you were working that show last night. Were you at the door at all?
I was up front for Metric, right behind the crazy dancing chick who was brought up on stage at the end. By the way, while she was wildly enthusiastic, she could NOT dance on the beat. It was like she was freaking out to a completely different band. It was hysterical to me...
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hahaha, i was at stage right when that chick went on stage. i thought that was going to be part of your story, because that girl was a total spazz who had trouble dancing to the beat.
i never got to the door last night and spent the whole night inside. like i said, pure luck, because a lot of the times when you really want to see the band, you get stuck at the door, downstairs, or in the alley.
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I don't think this chick was even at the Club for Metric. Or if so, she must have been SITTING way up by the upstairs bar, completely unaware of the folks on the floor loving Emily, her antics and the band. The Stills I think she got just right....
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At the 9:30 Club, The Stills' Endless Loop
Friday, May 14, 2004; Page C07
The Washington Post
When the Stills opened for Ryan Adams at the 9:30 club last December, Adams joined Stills guitarist Tim Fletcher and drummer Dave Hamelin for three songs as a metal band they called Whorenet. On Wednesday night at the same club, there were no such shenanigans -- in fact, Fletcher almost apologized, introducing the song "Allison Krausse" as "the closest we're going to get to heavy metal tonight."
Much of the Stills' 55-minute set bled together, with slowed-down song endings morphing into new melodies. Fletcher, guitarist Greg Paquet and bassist Oliver Crowe literally shoe-gazed, hunching over their instruments as they pounded at repetitive chords. At times it was difficult to tell whether these transitions signaled a new song or just a bridge, and Fletcher's unenunciated vocals did little to clarify matters. A few songs did stand out, however, like the catchy "Still in Love Song," which had the thinning crowd bouncing in place as Fletcher's desperate confession ("You're selfish and a waste of space / but I'm still in love") escalated into a frenzy that was grounded by Hamelin's solid drumming.
Despite the repetitious tone to their songs, the Stills were amazing compared with the opener Metric, whose set began innocently enough with Emily Haines's New Wave vocals channeling some of the offbeat phrasing style of Portishead's Beth Gibbons. Metric's set deteriorated rapidly from there, as Haines's jerky dancing and exaggerated gestures (culminating in some painful writhing on the floor) distracted tremendously from the music.
-- Catherine P. Lewis
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I think she was commenting on ger own opinion of the band. Again, reviewers offer their own opinions, and aren't responsible to write on behalf of the crowd.
Based on the way she described this show, both bands sound horrible. Glad I didn't go.
Originally posted by Bagalicious Tangster:
I don't think this chick was even at the Club for Metric. Or if so, she must have been SITTING way up by the upstairs bar, completely unaware of the folks on the floor loving Emily, her antics and the band. The Stills I think she got just right....
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At the 9:30 Club, The Stills' Endless Loop
Friday, May 14, 2004; Page C07
The Washington Post
When the Stills opened for Ryan Adams at the 9:30 club last December, Adams joined Stills guitarist Tim Fletcher and drummer Dave Hamelin for three songs as a metal band they called Whorenet. On Wednesday night at the same club, there were no such shenanigans -- in fact, Fletcher almost apologized, introducing the song "Allison Krausse" as "the closest we're going to get to heavy metal tonight."
Much of the Stills' 55-minute set bled together, with slowed-down song endings morphing into new melodies. Fletcher, guitarist Greg Paquet and bassist Oliver Crowe literally shoe-gazed, hunching over their instruments as they pounded at repetitive chords. At times it was difficult to tell whether these transitions signaled a new song or just a bridge, and Fletcher's unenunciated vocals did little to clarify matters. A few songs did stand out, however, like the catchy "Still in Love Song," which had the thinning crowd bouncing in place as Fletcher's desperate confession ("You're selfish and a waste of space / but I'm still in love") escalated into a frenzy that was grounded by Hamelin's solid drumming.
Despite the repetitious tone to their songs, the Stills were amazing compared with the opener Metric, whose set began innocently enough with Emily Haines's New Wave vocals channeling some of the offbeat phrasing style of Portishead's Beth Gibbons. Metric's set deteriorated rapidly from there, as Haines's jerky dancing and exaggerated gestures (culminating in some painful writhing on the floor) distracted tremendously from the music.
-- Catherine P. Lewis
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I know, and I was commenting on her opinion. But as a writer, I think I would note that the crowd's reaction was different from mine. A la, when I trash talked Jason Mraz, I did note that his fans were many and devoted.
Originally posted by Sacktastic Bag O' Nuts:
I think she was commenting on ger own opinion of the band. Again, reviewers offer their own opinions, and aren't responsible to write on behalf of the crowd.
Based on the way she described this show, both bands sound horrible. Glad I didn't go.
Originally posted by Bagalicious Tangster:
I don't think this chick was even at the Club for Metric. Or if so, she must have been SITTING way up by the upstairs bar, completely unaware of the folks on the floor loving Emily, her antics and the band. The Stills I think she got just right....
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