late to this thread, but it looks like the WashPost agreed:
http://www.washingtonpost.com/wp-dyn/content/article/2008/03/20/AR2008032003028.html For Sons & Daughters, Two Tough Acts to Follow
Friday, March 21, 2008; Page C07
On Wednesday night at the Rock & Roll Hotel, a solid, energetic headlining set by Glasgow quartet Sons & Daughters was upstaged by the two opening acts. A Place to Bury Strangers garners comparisons that read like a who's who of indie rock and shoegaze, but those similarities are all valid: The Brooklyn band pulled together the best aspects of Joy Division, the Jesus and Mary Chain and My Bloody Valentine (respectively: disjointed vocals, noisy distortion and ear-shattering volume) into a shimmering wall of guitar noise.
Toronto quartet Holy [expletive] paired bass and drums with two effects-laden keyboards. While musicians hunched over effects pedals don't usually make for a compelling live show, the two members of Holy [expletive] bounced around the stage as they knob-twiddled, making their vigorous 35-minute set as captivating to watch as it was to hear.
After such displays of volume and sound, Sons & Daughters' charming blend of garage rock and pop seemed almost plebeian, despite the strong, sultry vocals of Adele Bethel. At times, she channeled the forthright, gutsy style of Sleater-Kinney ("Gilt Complex"); elsewhere, her vocal interplay with guitarist Scott Paterson recalled the punk style of X. Even when the two exchanged nonsensical syllables ("Rama Lama"), their vocals dripped with emotion. Their set would've seemed stellar in almost any other situation, leaving only one suggestion for improvement: Next time, tour with lesser bands.
-- Catherine P. Lewis