Author Topic: Matthew Sweet  (Read 3543 times)

Sir HC

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Re: Matthew Sweet
« Reply #15 on: November 12, 2004, 01:45:00 pm »
Quote
Originally posted by ggwâ?¢:
  So I guess nobody is going to Fletchers to see ex-Superdrag frontman John Davis?
 
   <img src="http://www.johndavismusic.com/images/johndavis-ep-cover.jpg" alt=" - " />
If I am stuck in DC no, otherwise quite likely.

Jaguär

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Re: Matthew Sweet
« Reply #16 on: November 13, 2004, 05:54:00 pm »
Quote
Originally posted by bellenseb:
  Anyone heading to this show?
 
 Sweet always puts on a great show, but I'm curious what the turnout will be like. It's an early show and he hasn't exactly been in the public eye lately.
Excluding those going for the double-hitter, I would suspect that the bulk of the Sweet crowd will be geezed out frat boys and their wives.
 _________________________________
 
 If Kurt Cobain would have lived.......
 
   <img src="http://www.johndavismusic.com/images/johndavis-ep-cover.jpg" alt=" - " />

lynnev

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Re: Matthew Sweet
« Reply #17 on: November 13, 2004, 06:31:00 pm »
last time i saw m.sweet at the 930 a couple years back it was mostly young girls. some even brought their dads. weirdness. time to put on my teeny bopper hat.
 
 but i've seen m.sweet several times live and he always puts on a good show.

Seth Hurwitz

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Re: Matthew Sweet
« Reply #18 on: November 14, 2004, 08:36:00 am »
Quote
Originally posted by Rhett Miller:
  Not compared to $55 for Fogerty.
 
   
Quote
Originally posted by Fico:
  I love Matthew Sweet but $20 seems a bit steep...
[/b]
and yet
 
 Fogertyâ?¦sold out
 Sweetâ?¦half full

Bags

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Re: Matthew Sweet
« Reply #19 on: November 14, 2004, 01:55:00 pm »
Quote
Originally posted by Seth Hurwitz:
  Fogertyâ?¦sold out
 Sweetâ?¦half full
Nothing makes sense...  
 
 Really good show last night -- as mentioned by bellenseb, they played one set together for over 2 hours (I think close to 2 and a half, but I don't want to overstate).  I heard people around me saying "the opening band must have bailed out," but Sweet explained about five songs in.  Velvet Crush did a six or seven song set in the middle, with Sweet backing them.
 
 VC's second song was fantastic -- if anyone was there and knows the song I'm talking about, I'd love to know what album it's from.

bellenseb

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Re: Matthew Sweet
« Reply #20 on: November 14, 2004, 07:33:00 pm »
The second song was "Play for Keeps" from their Heavy Changes album.
 
 Whole setlist:
 Hold Me Up
 Play for Keeps
 Connection
 Goin to my Head
 Do What you want
 Ash and Earth  
 Atmosphere

Bags

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Re: Matthew Sweet
« Reply #21 on: November 14, 2004, 10:41:00 pm »
Thanks, bellenseb!  i have Teenage Symphonies and Free Expression -- hence, didn't know the song.  It was by far my favorite, that and Ash and Earth......

kosmo vinyl

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Re: Matthew Sweet
« Reply #22 on: November 15, 2004, 09:10:00 am »
I was at this show and grooving with Kosmette near the soundboard.. The Molly Hatchet of Power Pop was in full force, with three guitars wailing away for the entire set.   Loved the raved up version of "Girlfriend" and VC opening with "Hold Me Up".   A bit creeped out by the fact that Ric Menck looked he was been slumming in Grandaddy.  
 
 It would be safe to assume that the crowd was way more into this show than the Interpol show...  Lots of heads bomping in enjoyment.  It was nice to see the club appear full but still have room to breathe... And it would appear that there were many of the geezered fratboys and teenyboppers in attendence.  Geezered fratboys have moved on to Jimmy Buffet.
T.Rex

webjedi

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Re: Matthew Sweet
« Reply #23 on: November 15, 2004, 03:34:00 pm »
Photos of the show in case anybody is interested (not all of them are up and these are 'un-corrected' proofs... aka not all are good shots).
 
 http://webjedi.net/gallery/matthew_sweet/
 
 There's also a light review on the Washington Post and SoundtrackNet
 
 http://www.washingtonpost.com/wp-dyn/articles/A50232-2004Nov14.html?nav=E8
 
 http://www.soundtrack.net/

Re: Matthew Sweet
« Reply #24 on: November 15, 2004, 03:39:00 pm »
I love it when a rock star is fatter than me.

Bags

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Re: Matthew Sweet
« Reply #25 on: November 15, 2004, 04:15:00 pm »
That soundtrack.net review was horrible -- not well written or proofed.
 
 Post review was good.
 
 I'd forgotten about the pottery at the merch table!  He mentioned it, and I thought it was a joke.  But no, there it was -- pretty expensive for stuff that looks just like some stuff I made in middle school art class.
 
 PS, Kosmo & Kosmette -- can't believe I never saw you!  I was up a bit, pretty near the Food window (which was really busy, likely due to the early set time!).

Sir HC

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Re: Matthew Sweet
« Reply #26 on: November 15, 2004, 04:50:00 pm »
I thought it was a pretty good show.  He is in fine form, the band was really tight too.  Combined with the Blues Explosion show later, that was a great musical day.

eltee

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Re: Matthew Sweet
« Reply #27 on: November 15, 2004, 05:50:00 pm »
Quote
Originally posted by Bags:
  Post review was good.
 
Bags, can you post it? thanks.

Bags

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Re: Matthew Sweet
« Reply #28 on: November 15, 2004, 08:17:00 pm »
POP MUSIC
 Monday, November 15, 2004; Page C05
 
 Matthew Sweet
 
 Matthew Sweet, making what he said was his first local performance in four years, ignored both the clock and Father Time while delivering a grungily great set Saturday at the 9:30 club.
 
 The room was double-booked for the night, and Sweet drew the early straw, so he was onstage before 7 p.m. That's an hour when a performer of his vintage and volume would normally be rolling out of bed for a sound check and audiences aren't typically lubricated enough to let their inner rockers out. Also, it has been years since Sweet, who recently turned 40, has had a major-label deal or had been able to get pop radio to play anything but his old solo material.
 
 As could be expected, Sweet's early-1990s tunes -- "Divine Intervention," "Evangeline" and "Someone to Pull the Trigger" among them -- garnered the most huzzahs from the crowd, which increased in size and intensity during the two-hour show. Pete Phillips, the latest in a line of artfully noisy guitarists Sweet has worked with, worked fuzzy wonders while soloing madly on "You Don't Love Me." Despite having more endings than "Shear Madness," the still-divine "Sick of Myself" had fans singing along to the last note.
 
 Yet the tunes Sweet introduced from his two most recent, self-released CDs, "Living Things" and "Kimi Ga Suki," didn't wilt alongside their elders. Of the newbies, "In My Tree" and "Ocean in Between," both of which recall Tommy Keene at his most cacophonous, packed the biggest aural wallop.
 
 Sweet left the stage after delivering his two best psychotic romance tunes: "Superdeformed" melded the themes of "Beauty and the Beast" and "Silence of the Lambs" over Stooges-esque power chords, while during the deceptively dark "Girlfriend" he screamed the climactic lyrics ("And I'm never gonna set you free!") with such melodic force that listeners were powerless but to scream the stalker-friendly line with him. Signs that he's preparing for his post-rock life were all over the concession stand, where "raku-fired" ceramic ashtrays and vases said to be made by Sweet were available for between $35 and $125.