Author Topic: Dolorean  (Read 967 times)

Dolorean
« on: January 26, 2004, 02:18:00 pm »
Think I posted about this band before...but picked their album up at CDGameExchange in Tenley for $2.50 (one copy left), and can now highly recommend it. Sounds like a cross between Iron and Wine, Spain, and American Music Club perhaps...it's a nice album to take a bubble bath to.
 
 From allmusic.com
 
 Similar Artists: Elliott Smith  Of Montreal  The Decemberists  Kevin Devine  Ron Sexsmith  Caitlin Cary  Cameron McGill  Soul-Junk  Califone
 
 Roots and Influences: Nick Drake  Neil Young  The Band  John Fahey
 
 As the story goes, Not Exotic grew out of vocalist/guitarist Al James' quiet home recordings. As contributors were gradually acquired, so did an identity for the project, and Dolorean was born. But even with the addition of understated percussion, shimmering synth and piano, and stately cello, the record still runs on James' sharply rendered lyricisms and quietly deliberate guitar work. In first-person musings like "Hannibal, MO" and the incredible opener, "Morningwatch," the spaces between chords linger like low-lying morning fog, and accompanying instruments drift in and out of focus, as late-night memories often do. This confessional or diary quality aligns Dolorean with avant folk, but it's not that simple. Tracks like "Traded for Fire" and "Still Here With Me" seem like slowcore as they surge quietly toward resolution; they suggest an acoustic Bedhead strumming along with Neil Young. It doesn't really matter where the characterizations lie â?? the album's rustic, well-appointed feel is just plain comforting. Friends pass easily through James' lyrics, just like they do as collaborators. Elsewhere, there's a sense of escape from life and love. "Sometimes I try to be a fighter pilot," he imparts over the barely ascertained wee-hours groove of "The Light Behind My Head." "And I'm always ridin' alone in the cockpit/If I lose my mind/I'll just press eject/And drift down/Like a lazy dove." The drifting metaphor is a key to Not Exotic's whispered wow and flutter. "Sleeperhold" might run a bit too long, but its formless wane is the only time the album looks too far inward. For the rest of its lilting yet crisply defined span, Not Exotic glistens like the ghostly circus organ winking in the depths of "Jenny Place Your Bets."