MUSIC
Saturday, July 24, 2004; Page C05
Ted Leo at the Black Cat
The hottest club in town Thursday night, literally, had to be the Black Cat. Maybe there was a problem with the air conditioning, or maybe it was just the enthusiasm of a capacity crowd for smart-guy rocker Ted Leo and his (for now) two-piece band, the Pharmacists. Whatever the cause, it was a sticky, sweaty and awfully smoky affair. (How is it, by the way, that a smart-guy rocker can have so many young fans who smoke?)
A hardcore and indie-rock veteran who used to call Washington home, Leo has broken out in the past few years with a couple of fine CDs: last year's "Hearts of Oak" and 2001's "The Tyranny of Distance." During a set that lasted a bit more than an hour, he and his band mates, bassist Dave Lerner and drummer Chris Wilson, tackled older material as well as songs from an album to be released this fall.
Tackled is probably the appropriate word, as there is a real physicality to Leo's slashing, jarring style. It borrows from the herky-jerky delivery of the Jam, the freewheeling spirit of the Who and the Clash's unbridled political fury. When he sings, Leo's face contorts as if he's stuck in a wind tunnel, and his voice is a plaintive yowl that reminds you of Joe Jackson's earliest days. It's a style that does justice to such lyrics as "It's times like this when a neck looks for a knife," from "Where Have All the Rude Boys Gone?" Later Leo ended one song by singing the words "It's all right" about 100 times. That might sound like a colossal bore, but there was a real majesty to the moment.
A couple of moronic hecklers did their best to ruin the show from the back of the crowded room, but thankfully Leo either didn't hear them or ignored them. Maybe they weren't feeling his songs. Maybe it was just the heat.
-- Joe Heim