BEN KWELLER "On My Way" ATO/RCA AVEO "Battery" Barsuk
Friday, April 2, 2004; Page WE07
The title track of Ben Kweller's "On My Way" is a simple folkie tune that might have won him 2004's New Dylan award if only that honor hadn't been retired in the '90s, after one too many folk revivals fizzled. Most of the album, however, has a raucous classic-rock sound, and it closes with a song that recalls the layered late-'60s style of groups such as the Beach Boys.
Since Kweller is no Dylan as a lyricist, the bigger arrangements are for the best.
Bigger doesn't mean slicker. Supervised by Ryan Adams's producer Ethan Johns, who encouraged a live-in-the-studio strategy, "On My Way" is looser than Kweller's 2002 debut, "Sha Sha," which wasn't exactly polished to an immaculate shine. Such songs as "Down" and "Ann Disaster" wrap the singer's sensitivity in swagger -- exemplified by Mike Stroud's brash guitar -- while "The Rules" is only slightly folkier. What links the album's various styles is Kweller's gift for melody, whether in the simple, shouted refrain of the opening "I Need You Back" or in the more complex harmonies of the closing "Different but the Same."
While lacking the immediacy of Kweller's catchiest work, Seattle's Aveo has a more assured sense of style. The band's second album, "Battery," is a fine collection of cantering rockers and pensive ballads whose arrangements are lush yet not fussy. Such songs as "Dust That Dreams of Brooms" combine sprung rhythms and William Wilson's yearning vocals -- the band's name means "I desire" in Latin -- with a finesse that recalls the Smiths. Aveo is basically a guitar-bass-drums trio, but it's telling that Wilson places glockenspiel ahead of guitar on the list of instruments he plays. While the three musicians are supplemented here only by keyboards and cello, they have carefully considered each timbre. Aveo desires, but it also ponders, and its brainy pop-rock neatly integrates the two.
-- Mark Jenkins
Both appearing Saturday at the 9:30 club with Death Cab for Cutie.