Author Topic: Lorelei tonight, plus more Clavius shows  (Read 1839 times)

snailhook

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Lorelei tonight, plus more Clavius shows
« on: October 25, 2006, 12:52:00 pm »
Clavius Productions presents:
 
 THE LORELEI REUNION SHOW!
 
 Wednesday, October 25
 DC9, 1940 9th St NW WDC
 http://www.dcnine.com
 $8, 21+, doors at 9pm
 
 Lorelei (Slumberland Records)
 Masha Qrella (Morr Music, from Berlin)
 Sean McArdle (DC dark folk)
 
 
 Lorelei
 http://www.textilesounds.com/
 
 Lorelei began in 1990 as a 5-piece in Washington, DC in the heyday of the city's indie scene, but quickly stripped down to three members in 1992 after one single. We released several recordings on Slumberland Records, including the 1994 LP, Everyone Must Touch the Stove, plus a few recordings for other labels. Over the years, Lorelei often played live with our Slumberland labelmates -- the Ropers, Small Factory, Whorl, Velocity Girl, Honeybunch, Jane Pow, the Swirlies, and the Lily's -- and with the likes of the Wedding Present, Slowdive, Bailter Space, Unrest, Laika, Boyracer, and Labradford. Following the release of Everyone Must Touch the Stove and after playing together for almost six years, Lorelei members decided to move to different coasts and disband in 1996. From there, Lorelei members went off to persue other projects including LU, Chessie, Camping, and RDK. Following their hiatus as a band, Lorelei began working together again in 2003, culminating in Lorelei's first release in eight years, the Informed By The Future 12" on Matt's Textilesounds imprint. Now, in 2006, Lorelei's members have found themselves back in Washington, DC and have been playing together again. Lorelei will return for a show on Ocotber 25th in DC and perhaps a few others later this winter.
 
 "Lorelei was a key component of the "other" part of the vibrant mid-'90s D.C. indie rock scene. While people tend to associate the city with the Dischord sound, Slumberland Records was just as vital and holds a very dear place in the hearts of many former college radio DJs and, well, friends of college radio DJs. No label was responsible for more top-notch, dreamy indie-pop. Lorelei's 1996 release Everyone Must Touch the Stove stands next to albums from the Ropers, Velocity Girl and the Lilys as excellent examples of this sound. The group has been sort of on-and-off over the past few years, but seems to be gearing up to give it another go, starting with tonight's show at DC9." (Washington Post)
 
 
 Masha Qrella
 http://www.monika-enterprise.de/masha.html
 
 Itâ??s here now, totally out of the blue: The first solo-album titled Luck by Masha Qrella, the Contriva guitarist/bass player and Mina keyboarder. Masha put the record together in secret. After she had finished the recordings completely, she dropped first some hints about her project and finally slipped a handful of burned CDs into friends' CD players.
 
 But although this publication has been a surprise, many people may have been waiting and hoping for it secretly: the tracks of the two instrumental bands that Masha Qrella participates in have always had a song-oriented structure, even though they didnâ??t use words. Contriva and Mina make an exciting contribution by creating one sound from four very individual musicians, whereas in the two songs in which Masha is singing (Contriva´s "Next Time" and Mina´s "Desktop") the sound got more concrete and intimate. One could hear that this was a direction to be explored more thoroughly.
 
 Now, on Luck, Masha Qrella is following some of her own concepts with even greater care. And the songs turned out as brightly beautiful and restrainedly passionate as her voice sounds. On the surface you can hear a production with soul and skill, that sometimes breaks a drum loop suddenly, that indulges in one gap or another and that leaves a note where it has been dropped. The tracks that first sound roughly put together in a way that is common in hip-hop, turn out to be merely the rough medium for the more airy song structures that they transport. There is, next to Mina and Contriva, echoes of Elliot Smith and Robert Wyatt in the album. The production also evokes associations with Jim O`Rourke and Peaches.
 
 The instruments, bass, guitar, drums and keyboards, are mostly played by Masha herself and hints to a band sound. The songs oscillate between sounding organically formed and highly constructed because of the exceptional production details. The connection between these two poles is the singing. The English lyrics are mostly concerned with love and friendship. Masha Qrella, within her doubts, has found a safe base from which she reflects and expresses her feelings towards her surroundings. Despite this her lyrics stay vague enough to leave room for the listeners` interpretation.
 
 Luck is a personal and extraordinary album. Masha Qrella`s debut is initially challenging, but then the music warmly and elegantly nestles against the walls of every room, where it stays present for a long time, even after the last note has faded away.
 
 +++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
 
 Thursday, October 26
 611 Florida Ave NW
 http://www.claviusproductions.org
 8pm-10pm!!!
 $5 suggested donation
 202-360-9739 for more info
 
 Due to the gentrification rapidly eroding the cultural aesthetic of LeDroit Park and surrounding areas, Clavius Productions must now enforce a curfew during weeknights. Stick around afterwards and watch the rest of Game 5 of the World Series!
 
 Black Meat (Atlanta noise duo, w/ Tom Smith of To Live and Shave in L.A./Harry Pussy)
 http://www.blackmeat.org/
 Clang Quartet (improv percussion/performance art from NC, ex-Geezer Lake/Eugene Chadbourne/Bunker)
 http://www.silbermedia.com/clangquartet/
 American Band (mem. of Facedowninshit)
 http://www.freewebs.com/jasoncrumer/
 
 ++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
 
 Sunday, October 29
 The Red and the Black
 1212 H St NE WDC
 http://www.redandblackbar.com
 $8, 21+, doors at 8:30
 
 zOoOoOm (Japanese bizarro costumed psych!!! a la Boredoms/Afrirampo/Ruins/etc.)
 Caguamas (Emmy from the Peppermints solo)
 Blk Tygr (psych/soul rock from Cleveland, think Ayler's New Grass!)
 Donna Parker (Twisted Village, solo noise)
 
 ++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
 
 HALLOWEEN EXTRAVAGANZA!!!
 
 Tuesday, October 31
 Rock and Roll Hotel
 1353 H St NE WDC
 http://www.rockandrollhoteldc.com
 $10, 18+
 doors at 8, show at 9 sharp!
 
 Kayo Dot (Tzadik art-metal, from Boston)
 Grails (Neurot Records, atmospheric heavy post-rock, from Portland OR)
 Wooden Wand (Kill Rock Stars/Troubleman, w/ Clay Ruby of Davenport)
 Kohoutek + Piasa (DC improv psych/noise)
 
 +++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
 
 Thursday, November 2
 The Red and the Black
 1212 H St NE WDC
 http://www.redandblackbar.com
 $8, 21+, doors at 8:30
 
 The Places (indie folk ensemble, mem. of Castanets)
 Vialka (gypsy punk/prog/psych/folk rock duo from France)
 Sean Smith & Matt Baldwin (California fingerpicking duo)

Sir HC

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Re: Lorelei tonight, plus more Clavius shows
« Reply #1 on: October 25, 2006, 04:31:00 pm »
CRAP!!!!!!!!!!!!  I need notice for these things.  I love Everyone must touch the Stove.  Saw them at the GO! Records show, they were brilliant.

Re: Lorelei tonight, plus more Clavius shows
« Reply #2 on: October 25, 2006, 04:41:00 pm »
Was the heyday of the DC indie scene really 1990? I thought the DAM Festival marked the heyday of the DC indie scene. Or maybe the first time Bright Eyes came to town.
 
 Lorelei began in 1990 as a 5-piece in Washington, DC in the heyday of the city's indie scene,

Sir HC

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Re: Lorelei tonight, plus more Clavius shows
« Reply #3 on: October 25, 2006, 05:57:00 pm »
Well it would be around when Velocity Girl started, and they were probably the biggest on the Indie scence for a while.