I saw the New Pornographers in 2003 in Portland... here are my thoughts on their live set.
[...commentary on opening acts Cinerama and The Organ...]]
The New Pornographers set itself was something of a disappointment sonically. The sound mix, which was fine for the Organ and Cinerama, seemed shrill and distant. (In fact, listening to Mass Romantic recently, I was bemoaning the slightly shrill tones, so it could be a consistent issue with the band's sound.) But at the Aladdin, Neko Case and Carl Newman, sharing lead vocal duties, seemed to have a hard time hearing themselves through their own monitors, and there's something profoundly wrong when a voice as enormous as Neko's can't be heard clearly in a mix. In any case, the band's set was generous and included nearly all of Mass Romantic (omitting "The Mary Martin Show" and "Centre for Holy War") and huge swaths of Electric Version, which I haven't yet committed to memory. Despite the massive catchiness of the songs themselves, and the engaging dual-frontman approach from Wilson and Case, the set had a hard time kicking off. The sound was clearly an issue, although the crowd had gotten up to fill that space between the stage and the seats, conquering the Aladdin dilemma. I can't say if I'm just feeling curmudgeonly, but I am tempted to blame in part the elliptical (read: nonsense) lyrics. If the crowd wants to sing along â?? and trust me, we did â?? it helps to have intelligible lyrics. I think Wilson does a great job in couplets, but doesn't try to make verses that make sense, so the crowd is at a loss for 90% of a song. I praised the nonsense as "gleeful" in reviewing their first record, but I think I'd like it more if I could make more sense of it. Still, "The Laws Have Changed" and "Mass Romantic" and "To Wild Homes" are so engaging, you'd think there wouldn't be a problem. With so much going on in these songs â?? hand claps, backing vocals, dinky keyboards, strummed acoustic guitars behind the rock instrumentation â?? it can just get a bit messy. The sound man was having a hard time keeping up with the 6 performers and their instruments, and the audience was having a hard time keeping up with the poor mixd.
Still, the set was absurdly generous, to the point that they were getting close to running out of songs. After two opening bands, the New Pornographers did one complete set, one three-song encore and then another couple of songs, rewarding those fans who stuck around to the end. The volume, unfortunately, was deafening. If the electric bass and guitar had been toned down, we'd have heard Case and Wilson far more easily, and probably enjoyed the show infinitely more.