As weâ??ve discussed in countless other threads (and I just posted as a separate, new thread today), these lists are often quite inane. They tend to be based on what â??shouldâ?? be on a list of bests, rather than what we actually listen to.
That said, Pitchforkâ??s idea to revisit the same list over a period of a couple of years is genius. It demonstrates how perceptions and significance change over time, in fact derailing the importance of such lists overall. Iâ??ll be reading this list comparatively to the first, finding the real interest in whatâ??s new and whatâ??s gone. So far, the list of â??casualtiesâ?? included in the intro has some real hearbreakers. Sleater-Kinney? No way!