From Allmusic.com
Biography by Johnny Loftus
The four members of Chicago's Fall Out Boy came together in suburban Wilmette around 2000. Vocalist/guitarist Patrick Stumph, bassist Peter Wentz, drummer Andrew Hurley, and guitarist Joseph Trohman had all been in and out of various units connected to Chicago's underground hardcore scene. Most notably, Hurley drummed for Racetraitor, the furiously political metal-core outfit whose brief output was both a rallying point and sticking point within the hardcore community. As Fall Out Boy, the quartet used the unbridled intensity of hardcore as a foundation for melody-drenched pop-punk with a heavy debt to the emo scene. They debuted with a self-released demo in 2001, following it up in May 2002 with a split LP on Uprising that also featured Project Rocket. The band returned on the label in January with the mini-LP Fall Out Boy's Evening Out With Your Girl, but by this point a bidding war of sorts was already in full swing. Fall Out Boy eventually signed a deal with Gainesville, FL's Fueled by Ramen, the label co-owned by Less Than Jake drummer Vinnie Balzano, but also received an advance from Island Records to record their proper debut. The advance came with a right of first refusal for Island on Fall Out Boy's next album, but it also financed the recording of Take This to Your Grave, which occurred at Butch Vig's Smart Studios compound in Madison, WI, with Sean O'Keefe (Lucky Boys Confusion, Motion City Soundtrack) at the helm. Grave appeared in May 2003, and Fall Out Boy garnered positive reviews for its gigs at South by Southwest and numerous tour appearances.
Album Review by Johnny Loftus
Fall Out Boy's full-length label debut Take This to Your Grave is a smart collection of emo-influenced pop-punk tunes. It's long on harmony and the kind of earnest, dual guitar riffing listeners have come to expect from young rockers raised on a diet of hardcore, Punk-O-Rama comps, and MTV. But Fall Out Boy really necks ahead of the pack behind the enormous voice of dreamboat-in-training lead singer Patrick Stumph and lyrical content that merges musings on love and youth with healthy amounts of cutting cynicism, savvy popular culture touchstones, and cheeky phraseology. Though it was issued by Less Than Jake drummer Vinnie Balzano's Fueled By Ramen imprint, a hefty advance from Island allowed Fall Out Boy to record Grave at Butch Vig's Smart Studios compound in Madison, WI, and employ the skills of producer Sean O'Keefe, who'd handled the boards for units like Lucky Boys Confusion and Motion City Soundtrack. Of course, Island will be looking for a substantial return on investment from Fall Out Boy. But before the band follows in the footsteps of Jimmy Eat World and Dashboard Confessional â?? which it deserves to and will â?? listeners can enjoy Take This to Your Grave's undeniable mixture of exuberance and romantic hardcore.
Like a high-school dreamer's homeroom notebook, Grave's margins are littered with impossibly clever turns of phrase. A preliminary scan of the record's song titles is enough to prove this. From the double-time hardcore of "Reinventing the Wheel to Run Myself Over" to the shifting dynamics of "Homesick at Space Camp" (which was seemingly engineered by NASA to incite a crowd singalong), Fall Out Boy renders each song with a different mix of talents. Every time you think you've heard it all before, the band kills with another couplet. "I know I'm not your favorite record/The songs you grow to like never stick at first," Stumph croons in "Dead on Arrival." Later, "Calm Before the Storm" dissects a relationship with an almost intellectual mix of casual, MTV-generation reference-making and a dose of self-analysis that suggests sadcore anti-hero Bill Callahan. After name-checking a throwaway Top 40 ditty, Stumph addresses his ex: "What you do on your own time's just fine/My imagination's much worse." While Grave's 12 tracks run on the long-range external tanks of emotion that every teenager refuels with each miniature passing period drama, they're also professionally executed packets of melody. While the exposed nerve of hardcore is apparent throughout, Stumph, bassist Peter Wentz, drummer Andrew Hurley, and guitarist Joseph Trohman are making music for a generation that appreciates a good hook, and isn't necessarily concerned where it comes from. Alternative, hip-hop, California skatepunk â?? all the videos are directed the same way, and flannels, Fubu, and wallet chains are sometimes just set decorations. Fall Out Boy's positive is its honest intersection of pop's shallow nature with the rippling passion of hardcore. The band pulled all the frames of reference off the wall and built a larger one with the mismatched pieces. Inside it is Take This to Your Grave, a spectacular debut art project.
Similar Artists
Taking Back Sunday
Knockout
Dashboard Confessional
Motion City Soundtrack
Lucky Boys Confusion
Influenced By
Rites of Spring
Pennywise
NOFX
Sunny Day Real Estate
Jawbreaker
Jimmy Eat World
The Get Up Kids
Less Than Jake
