Originally posted by callat703:
Originally posted by you be betty:
No one really said they were original. They obviously draw influences from a ton of people, and it shows. They also have their own thing going for them. And the fact of the matter is, whether you like the music or not (or rather, whether you're old and losing it or not), Jack White is an extremely talented guitarist. I will go very far to defend him. Boy can shred.
I don't think being an extremely talented guitarist really means all that much; go into any Guitar Center and you'll find plenty of "boys that can shred." The question is the songs that you can write with that ability, and I think that the original point made is the most valid - White seems to have half a mind toward his pop culture persona, and half towards his music. I'd actually contend that the Raconteurs record is the banner example of that fact, contrary to what somebody said previously that it was a shining achievement. I see it more as a demonstration of White's limitations, and the failure to successfully work with another songwriter to craft a cohesive album. Certain songs worked majestically. Others...not.
Granted, White's work on the Loretta Lynn record was quite brilliant. But I still want to hear him do more with his guitar than make it sound like an organ and sing blues riffs on top of it.
Plus, can we remember that "Get Behind Me Satan" is probably easily the White Stripes worst record - notably, also the first one to come out when White was a pseudo-celebrity? [/b]
But you just did say he worked brilliantly with Loretta. Meaning yes, he can work with other artists to make a great album...maybe he just hasn't found the right combination yet?
The Stripes were put together when Jack started fooling around on a guitar and had Meg keep a beat quite childishly in their attic. The unfortunate thing that we're seeing after five albums is that there is only so much you can do with bluesy riffs and the same drum beat. Their last album was a little bit of a failed attempt at trying something new. So I think the only things we've proved here are the limitations of the group (and maybe Jack found some of these with the Raconteurs? i don't know; i think it's a pretty good album), rather than that Jack is a bad artist.
and in conclusion, Pete Townshend should shut his fucking mouth. The Who were a great group too, but they also seemed limited to one sort of sound throughout their career. so i don't really know why he's so bitter.