Author Topic: Warehouse shows  (Read 51928 times)

nkotb

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Re: Warehouse shows
« Reply #225 on: November 04, 2004, 04:32:00 pm »
Thirsty, isn't that your friend's band on Sunday night?  Are you going?  It's no Meow Mix, but still...
 
 
Quote
Originally posted by snailhook:
  11/07
 STINKING LIZAVETA (At A Loss, Tolotta)
 GYPSY HANDS BELLY DANCERS (yes, real belly dancers)
 KING VALLEY (x. Spirit Caravan)
 CHAMISA MESA

thirsty moore

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Re: Warehouse shows
« Reply #226 on: November 04, 2004, 04:34:00 pm »
I'm all over this gig!  Thanks for pointing it out to the board.  Personally, I didn't think anyone would have any interest.  
 
 I don't think anything will equal their Meow Mix gig.
 
   
Quote
Originally posted by nkotbie:
  Thirsty, isn't that your friend's band on Sunday night?  Are you going?  It's no Meow Mix, but still...
 
 CHAMISA MESA

snailhook

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Re: Warehouse shows
« Reply #227 on: November 04, 2004, 04:48:00 pm »
i asked chamisa mesa to play with stinking liz after finding out they were playing with them in brooklyn. they sound like a good match to me. sunday night will be really fun: stinking liz, belly dancers, king valley (a straight-up stoner rock band with good musicianship), and chamisa mesa. i hope it works out well. i put a lot of thought into this one.

snailhook

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Re: Warehouse shows
« Reply #228 on: November 05, 2004, 09:30:00 pm »
Sunday, November 7
 Warehouse Next Door
 1021 7th St NW, Washington DC
 $7, all ages
 doors at 8:30, show at 9:00
 
 
 Stinking Lizaveta (from Philly, At A Loss/Tolotta/Southern Rec.)
 Gypsy Hands Belly Dancers (real belly dancers from Philly!!!)
 King Valley (stoner/doom rawk from MD, ex-Spirit Caravan/All Night, mem. of Earthride)
 Chamisa Mesa (NYC guitar/drums noise rock duo in the vein of Load/Skin Graft)
 
 
  Stinking Lizaveta  
 
 "Is there any other band that's SO GOOD live that I would actually plan a trip somewhere thousands of miles away almost entirely on the basis of getting to see 'em play? 'Cause that's what I'm doing for Halloween -- flying to New Orleans, which would be fun anyways but is gonna be extra-awesome 'cause this Philly-based, all-instrumental power trio will be tearing down the house at Checkpoint Charlie's on the edge of the French Quarter, as they apparently do every Halloween. And as if to pile on the excitement, what shows up at Aquarius this week but a brand new Stinking Lizaveta opus? Yay! Their fourth album finds 'em doing what they do best, adhering to their math rock + jazz + exotic flourishes + sheer rock and roll exuberance formula, with perhaps a little bit more stoner rock added to the equation this time around. Imagine an instrumental Spirit Caravan melded with The Fucking Champs and Gone...something like that. Heavy, sinuous, emotive, grandiose, intimate, anguished, epic, melodic, HEAVY. It's not a perfect album, though -- the drum sound could be better (or at least the drums could be not so loud) sez Andee, and it suffers as all Stinking Lizaveta records do in comparison to their spectacular live performances. Basically, they are SUCH a good live band that it's just hard for them to ever make an album that's nearly as good as they are in person. I love their records, but they really don't compare to the band on stage. Their intense playing, telepathic interplay, and sheer energy are all there...but not as much as you get live. That they're such a formidable proposition live works against their recordings in another way: they probably just assume that if they just go in the studio and kick ass like they do on stage, they'll make the best album ever. Of course, it's not quite that easy. Still, Caught Between Worlds is worlds above almost everything else in the post/math/instro/stoner rock realm... Recommended -- get this and also don't miss 'em if you get the chance, they're on tour right now!" (Aquarius Records)
 
 "I just realized something. Umm, you know Stinking Lizaveta already, right? They are a 6 legged, 4 balled power trio who sound like they live in a hollowed out tree in the petrified forest, but are actually from Philadelphia. Or thereabouts, I don??t have a fuckin?? map. They play trippy stoner-jazz with a heavy-devy chunka-chunka beat and a guitar that floats like a butterfly and stings like a bee bloated on cough syrup. Sometimes they have vocals, but even when they do, you don??t notice. That??s what??s good about ??em, see, they let you breathe a little. In a world where there??s always somebody screeching at you with their cockamamie theories about whatever, it is quite refreshing to hear a band that just GROOVES and flits around making crazy vapor trails and let??s you figure some shit out on your own. That??s how I figured out that if this CD was on vinyl and you played it on 45 RPM by accident, Stinking Lizaveta would sound just like the Ventures. Therefore, ??Caught Between Worlds? is not a stoner rock record, oh no. It??s a surf record. If you could surf in mud." (Sleazegrinder)
 
 
  King Valley  
 
 A few years ago the band Clutch called to ask guitarist Greg Clark to mix "Live at the Googolplex" for them.
 While mixing the record, Clutch drummer Jean Paul Gaster and Greg took breaks and began writing a few songs of their own. During the sessions, they recruited Rod Smith from The 69 Band to play bass and record with them on a three song recording.
 
 Once Clutch's mixing sessions were finished, Greg was referred to drummer Tommy Carr, formerly of Black Market Baby. For several months they wrote together and soon added bassist Guy Lane.
 
 Next up was to find a singer to front the newly formed King Valley. After countless auditions, in walked TC and that's when the magic started to happen.
 
 For the next two years, King Valley spent countless hours writing and playing live - all the while forming the unique King Valley sound. They played with bands such as Clutch, Orange Goblin, Alabama ThunderPussy, Budgie, Black Nasa, Stinking Lizaveta, and the list goes on.
 
 In early summer 2004, King Valley decided they needed a change in drummers, and Tommy was replaced with drummer Steven "Neckbone" Harrell, formally of the band All Night. Things were definitely starting to look up!
 
 Soon after, bassist Guy Lane made a tough decision and decided he need to go and spend time with his ailing father in Idaho. So the search began for a new bassist. After discussing it for a few weeks, it was decided that David Sherman, formerly of Spirit Caravan, would take over on bass.
 
 With the addition of Neckbone and Sherman as the new rhythm section, King Valley is ready to come at you like a TON OF BRICKS falling from outer space! So be on the lookout - King Valley will soon be playing in your town!
 
  Chamisa Mesa
 
 harmolodic improv gravel & symphonic action micro marvels for your pleasure and entertainment fractal anthems or anathemas listen and decide compared to Lightning Bolt, Black Dice, usaisamonster, that kind of thing
 
 Mike Dillon: 6 strung strum & drang (Charlie Haden, Maroon, The Furious)
 Angus Forbes: combinatorial striker (i.e. drums) (Disfarmer, Iceburn Collective, Red Soda)

snailhook

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Re: Warehouse shows
« Reply #229 on: November 08, 2004, 05:05:00 pm »
TUESDAY, NOV 9th
 at The Warehouse Next Door
 8:30 Doors / All Ages
 +++++++++++++++++++
 show will start ON TIME (meaning around 9:15ish)
 so please get there early and help us get out of the late show rut!
 +++++++++++++++++++
 
 THE ADVANTAGE (Kill Rock Stars/5RC. Nintendo cover band featuring mems. of
 Hella)
 THE RUDE STAIRCASE (local 8-12 piece orchestral manic controlled montage of
 heck)
 GO TO SLEEP (local sub-sonic hermits of hibernation)
 
 +++++++++++++++++++
 
 GO TO SLEEP are local sub-sonic hermits of hibernation with vast highs and creamy middles.  Members of Black Eyes, Like Language, Horses, Navies, etc
 
 THE RUDE STAIRCASE are a bizarro dissonant orchestra marching band gone totally wrong...which is a good thing...an 8-12 piece orchestral manic controlled montage of heck
 
 THE ADVANTAGE
 Members of Hella plug into Nintendo nostalgia, by recreating 8-bit cartridge classics from Super Mario Brothers, Double Dragon and Castelvania. Forget shouting ''Free Bird.'' Try ''Duck Hunt!''. Women say this first Advantage record is without a doubt the most fucking shitting shit on god's fuckin' earf.
 KillRockStars/R5C

nkotb

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Re: Warehouse shows
« Reply #230 on: November 08, 2004, 05:58:00 pm »
Man, I'd love to make it out to this.  I just hope this on-coming cold doesn't derail me.  
 
 
 
Quote
Originally posted by snailhook:
  TUESDAY, NOV 9th
 at The Warehouse Next Door
 8:30 Doors / All Ages
 +++++++++++++++++++
 show will start ON TIME (meaning around 9:15ish)
 so please get there early and help us get out of the late show rut!
 +++++++++++++++++++
 
 THE ADVANTAGE (Kill Rock Stars/5RC. Nintendo cover band featuring mems. of
 Hella)
 THE RUDE STAIRCASE (local 8-12 piece orchestral manic controlled montage of
 heck)
 GO TO SLEEP (local sub-sonic hermits of hibernation)
 
 +++++++++++++++++++
 
 GO TO SLEEP are local sub-sonic hermits of hibernation with vast highs and creamy middles.  Members of Black Eyes, Like Language, Horses, Navies, etc
 
 THE RUDE STAIRCASE are a bizarro dissonant orchestra marching band gone totally wrong...which is a good thing...an 8-12 piece orchestral manic controlled montage of heck
 
 THE ADVANTAGE
 Members of Hella plug into Nintendo nostalgia, by recreating 8-bit cartridge classics from Super Mario Brothers, Double Dragon and Castelvania. Forget shouting ''Free Bird.'' Try ''Duck Hunt!''. Women say this first Advantage record is without a doubt the most fucking shitting shit on god's fuckin' earf.
 KillRockStars/R5C

Bags

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Re: Warehouse shows
« Reply #231 on: November 08, 2004, 06:10:00 pm »
Try  this for the oncoming cold...

vervelike

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Re: Warehouse shows
« Reply #232 on: November 09, 2004, 12:04:00 pm »
Did anyone catch Viva Voce at the warehouse? I totally spaced the show  :(

jkeisenh

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Re: Warehouse shows
« Reply #233 on: November 10, 2004, 10:29:00 am »
another great show, snail... i really like all three bands, and they were all interesting and entertaining in their own special way.
 
 it was a shame, though, that The Rude Staircase couldn't fit all their band members on stage.  Sucked especially for that sax player stuck in the dark offstage left and the bassist who was stuck in the way of anyone trying to get to the bathrooms... but their music was original and fun.
 
 The Advantage was super.  I never realized the artistry of Nintendo songs until hearing them without the games flashing in front of my face.  Wrapping the show with the Goonies was awesome, and it was refreshing to finally be in an audience of people who danced.  I would see 'em again.  (Though they should cut each song down a little-- it did get a bit repetitive).

thirsty moore

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Re: Warehouse shows
« Reply #234 on: November 10, 2004, 11:29:00 am »
Let me just say that Stinking Lizaveta was excellent on Sunday.  That was a clever bill you put together Snailhook.  Oh yeh, get Chamisa Mesa back here!

Joymonster

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Re: Warehouse shows
« Reply #235 on: November 10, 2004, 11:52:00 am »
Quote
Originally posted by vervelike:
  Did anyone catch Viva Voce at the warehouse? I totally spaced the show   :(  
Dammit!!! I've forgotten all about it!

Jaguär

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Re: Warehouse shows
« Reply #236 on: November 10, 2004, 06:24:00 pm »
Quote
Originally posted by vervelike:
  Did anyone catch Viva Voce at the warehouse? I totally spaced the show   :(  
I would have liked to have seen them too but, alas, broke and stuck in that wasteland otherwise known as Baltimore.

snailhook

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Re: Warehouse shows
« Reply #237 on: November 11, 2004, 04:37:00 pm »
TONIGHT AT THE WAREHOUSE NEXT DOOR
 THURSDAY NOVEMBER 11 ? 8:30 Doors
 +++++++++++++++++++++++++++++++++++++++++
 
 ARBOURETUM (mems of Bonnie "Prince" Billy & The Anomoanon)
 COYOTE (Birdman Records, x-Excelsior & Holy Fallout)
 BOTTOM OF THE HUDSON (Absolutely Kosher)
 
 +++++++++++++++++++++++++++++++++++++++++
 +++++++++++++++++++++++++++++++++++++++++
 
 
 +++++++++++++++++
 ARBOURETUM
 +++++++++++++++++
 Arbouretum is a band that was started in late 2002 in Baltimore Maryland.They play a loose, expansive, and often hypnotic style of music that could easily be confused with "psychedelic rock". Affiliated Bands: Bonnie "Prince" Billy, The Anomoanon, Cass McCombs, Birdland, Love Life, etc.
 http://www.arbouretum.com/
 http://www.boxtreerecords.com/
 
 
 +++++++++++++++++
 COYOTE
 +++++++++++++++++
 Coyote formed when members of The Holy Fallout, Excelsior and The Rabble Rousers convened in a West Philadelphia basement. Meaning: the heart of the Philadelphia music scene thrown into one super-group is releasing their debut, and you are
 there. The driving pianos, screaming vocals, and fuzzed-out champion guitar leads produce a unique sound that is ready to be unleashed. They have been compared to The Black Heart Procession, The Doors and the VSS/Slaves. By pulling from a multitude of musical influences, Coyote creates a sometimes haunting, sometimes sonic sound that allows the listener to take joy from pain. With lyrics that often portray un-nerving situations, Coyote immediately grab your
 attention. The piano-driven melodies invite the audience inside their frenzied spirit.
 http://birdmanrecords.com
 http://www.coyotetheband.com/
 
 
 +++++++++++++++++
 BOTTOM OF THE HUDSON
 +++++++++++++++++
 Hey, speaking of Sgt. Pepper, these soggy Bottom boys love that Beatle solo-tone, which they bring to The Beach Boys on "Eagle Eye" and to the
 countrified work of the Rolling Stones on "Omaha Ray" (which owes its soul to "Factory Girl"). Can you say 1960s? Waiter, this gravy is wavy! But wait! Simon often earns the title of Bedroom Bowie, especially on the excellent "Motorcade"!
 But wait! Simon often sounds like a Virginian ambassador for New Zealand's Tall Dwarfs and Peter Jeffries. Who doesn't love when patriots cop redcoat accents? Hi, Liars! Hi, Mr. Pollard (did you serve as a consultant on "Pockets", with its you-esque lyric, "The fact of the matter is, my friend, they sold you to the
 wind king"?)! The intro to the babyfat "Shoop" crosses the line of Barlow-homage by looping its "behind-the-scenes" self-deprecatus. Meanwhile, "Red Election", despite Polara-caliber lyrics and vox, explodes into skree worthy of Rollerskate Skinny and the late, great Jellyfish Kiss. Even devotees of pawn-shop drum machines must admit that this act is a chunk of studio time away from shedding its everyband veneer. Pity their versatility for being cast into a world in which an "album" is burdened with being considered a coherent statement rather than an audio diary of the last few years' divergent strains.
 http://www.bottomofthehudson.com/
 http://www.absolutelykosher.com/

Bombay Chutney

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Re: Warehouse shows
« Reply #238 on: November 12, 2004, 11:52:00 am »
MEDICATIONS + AQUARIUM + SENTAI
 SUN November 14
 Doors at 830
 
 
 Any thoughts on Medications or Sentai?  I may head over for this one.

snailhook

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Re: Warehouse shows
« Reply #239 on: November 17, 2004, 03:39:00 pm »
The Alkem Foundation invites you to join us at the Warehouse Next Door for live music and art
 
 Saturday November 20, 2004 -- 1021 7th St. NW, Washington, DC - $8
 
  Alkem.org
 
 Alkem is hosting its first event to showcase the many talented artists that make up the local Alkem community.
 
 Please join us to enjoy the diverse artistic talents of local musicians, artists and more that all work together to build this grass roots DIY endeavor.
 
 Meet and learn more about our community supported foundation by visiting our website www.alkem.org.
 
 Proceeds from the event go directly to help maintain and expand Alkem's services.
 
 6:00pm - Artists
 
  Matt Sesow  
 
 "Matt Sesow's nightmarish portraits possess a voracious brutality that hits the eyes like sand, but embed in the heart with unexpected wonder" -- (Timothy Cahill, Albany New York Times Union, 2004)
 
 "Sesow's explosively colored and powerfully composed expressionist paintings in this exhibition are broad brushed self-portraits with a compellingly dramatic tension that draws in the viewer. Both 'Setting Sail' and 'Out of Water' capture on canvas and board doubling figures, expressions, and markings -- on the first -- and a powerful head complete with a characteristic Sesow trauma scar marker on the second..." -- (Tony Harvey... regarding Sesow paintings at 'Holy H2O' AVAM show, Intowner magazine, Washington DC, Oct. 2004)
 
  Jess Feury  
 
 Jess Feury is a DC-based artist and practicing art therapist. She founded the B Side art collective -- a grassroots effort created to further exposure of the arts in the DC area. Jess collaborates with local DC venues to present one-night mixed-media art shows and DJ nights as an alternative to gallery exhibitions. Jess currently integrates her love for fine art with clothing design to create multi-fibered artwork and artistic clothing.
 
  Dana Ellyn  
 
 Dana Ellyn documents world events (both good and bad) and her reactions (both positive and negative) through her paintings.
 
  Carolina Mayorga  
 
 Social issues related to my culture have always been the theme of my art: My culture related to Catholic rituals, the political situation of my native Colombia, issues of migration as a response to my bi-cultural experience of living in Colombia and the United States, and most recently, my perspective on the current global war that has shaped the beginning of the 21st Century.
 
  Derek Morton (of Mikroknytes and Techclub_DC)  
 
 8:00pm ?? Bands
 
  Shortstack  
 
 Shortstack play Doom Country -- a lonesome demented version of old school hillbilly country & western blues dragged through the rockabilly swampland of Washington DC. Their songs are best likened to a runaway train, speeding mercilessly around the bend to meet the devil or death, whatever comes first. Although the music is firmly rooted in the present, the band strives to uphold an important element in traditional country music: to meditate the more despairing aspects of life. (Planaria Recordings)
 
 Revival
 
 3/5 of Canyon (Berodt/Bryson/DeBorja)
 
 DCIC
 
 Mysticism abounds when the DC Improvisers Collective (DCIC) holds a musical séance. The performers delve into remote realms, conjuring up inventive music with sorcerous cunning. This searching association of experimental artists affords its members the opportunity for open-ended exploration in various-sized group scenarios.
 
 On this recording, the DCIC features four free spirits. Mike Sebastian awakens the ghosts of music present and future through his fierce woodwind flights; Jon Ozment offers weighty acoustic and electric piano brews; Mark Merella executes jarring percussive resonance; and Jonathan Matis adds bracing stimuli through his guitar. Electronics play an important role as well, with Ozment, Merella, and Matis each negotiating the amplified terrain for special effects.
 
 The program, as could be expected from the band??s name, is fully improvised. These instant composers thrive on the spontaneity of the moment, allowing their innate sense of adventure to dictate the direction the music takes. It goes off in multiple streams of consciousness that slide into hallucinatory states, often through alternating pairings that fold into full quartet activity. (All About Jazz)
 
  Sarah Azzara  
 
  EBSK  
 
 EBSK, a duo consisting of Eric Bruns (Clarinet, Bass Guitar) and John Rickman (Casio SK-1s, Casio SK-5s), are based in Washington D.C. and have been bridging the indie-rock underground and the electronic listening crowd with their live shows up and down the east coast. Combining structured melody with a touch of sonic improvisation, the EBSK sound merges the aesthetics of ambient music with the potency of psychedelic free-rock.
 
  Kohoutek
 
 Improvised psychedelia via guitar/bass/percussion, inspired by the likes of Can/Amon Duul 2/Krautrock, Bardo Pond, Dead C, Sun Ra/Art Ensemble/free jazz, Sonic Youth, MBV/shoegaze, drone, etc. Textures and mood over technical proficiency. 611 Florida??s house band.
 
 Please feel free to send this on to others who may be interested.
 
 --------------------------------------------------------------------------------------------------------------------------
 The Alkem Foundation is a privately funded non-profit organization providing free internet resources and support for artists, musicians, and creative visionaries who share the ideals of Alkem, but lack direct resources, technical ability, or other significant input to the international network, known as the World Wide Web.
 
 Alkem strives to engender communication and discussion of ideas and values of importance and substance in the fields of arts, philosophy and religion, in a forum, free of economic, political or social agendas. The potential altruistic nature of the internet has largely been replaced with hype, commercialism, pornography, and mainstream banality. The soul is not bound by wealth and neither should the creative expressions of those souls who have collected their thoughts on Alkem's servers.
 
 Many artists, musicians and creative visionaries lack the access, financially or otherwise, to fully utilize the inherent advantage of communication over the internet. Alkem will help with the utilization of the most powerful communications tool of the modern age by embodying the forum to facilitate the exchange of understanding and communication in real and virtual space.
 
 The Alkem Foundation can be reached by contacting : info@alkem.org
 
 Or Visit our website at www.alkem.org